artist and director r. b. schlather is widely recognized as one of the most ambitious, creative, visionary, and innovative figures in opera today.
Recent highlights include a directing debut with santa fe opera, where his production of Mozart’s “cosi fan tutte.” was called “the revelation of the santa fe opera season,” “modern disturbing, riveting, explosive” (WALL STREET JOURNAL), “Painful” (New York Times) a “radical, hyper-sexualized, ultra-modern visual poem” (Santa Fe RePorter) “Bracingly conceived and beautifully sung” (Santa Fe New Mexican) by all star cast amanda majeski, ben bliss, rodney gilfrey, tracy dahl, emily d’angelo, and jarrett ott, conducted by harry bickett.
Future highlights include his european directing debut with oper frankfurt in an immersive, site specific staging of handel’s tamerlano in the bockenheimer depot fall 2019, and a national sawdust commission “untitled (inspired by film stills)” in development with eve gigliotti, paola prestini, royce vavrek, nico muhly, missy mizzoli, and ellen reid.
In the 2018-2019 season, Mr. Schlather staged and co-curated “Fluxconcert” at the Walt Disney Concert Hall, in partnership with the Los Angeles Philharmonic and conducted by Fluxus Festival curator Christopher Rountree. This evening-long exploration of the Fluxus movement is one of the most ambitious undertakings of the Los angeles Philharmonic’s 100-year history. conceived as a multi-disciplinary, immersive, campus-wide experience, this “fluxconcert” broke down temporal and physical barriers traditional to a concert presentation, and was praised in alex ross’ new yorker magazine ‘notable performances 2018’ for its creativity, artistic anarchy, and controlled bedlam. Mr. Schlather opened the season directing Verdi’s “Macbeth” at Syracuse Opera with conductor Christian Capocaccia and returned to the Curtis Opera Theater to direct “Don Giovanni” conducted by Karina Canellakis in co-production with opera philadelphia.
His 2017 exhibition of Gertrude Stein and Virgil Thompson’s opera "The Mother of Us All" at the historic Hudson Opera House was named one of the “Ten Best Opera Performances of 2017” in the New York Times, “entirely fresh and contemporary” (Wall Street Journal), “Avant-garde opera for the people” (New Yorker Magazine), and the “finest operatic experience of the season” (New York Observer), among other accolades. This production was conceived as a centennial celebration of voting rights for women in new york state, presented as a month-long exhibition involving over fifty hudson valley residents in salons and performances at the historic hudson opera house, where susan b. anthony spoke three times.
IN THE 2017/18 SEASON SCHLATHER DEVISED AN INSTALLATION OF DAVID HERTZBERG’S OPERA ‘THE WAKE WORLD" AT THE BARNES FOUNDATION, A WORLD PREMIERE COMMISSIONED BY OPERA PHILADELPHIA FOR THEIR INAUGURAL O17 FESTIVAL. this immersive, site specific performance of "THE WAKE WORLD" WAS AWARDED THE HONOR OF 'BEST NEW OPERA 2017' BY THE MUSIC CRITICS ASSOCIATION OF NORTH AMERICA. he additionally directed THE WORLD PREMIERE OF HERTZBERG'S NEXT OPERA - "THE ROSE ELF" - AS THE FIRST PRODUCTION IN UNISON MEDIA'S SUMMER SERIES, 'THE ANGEL'S SHARE,' presented IN A CATACOMB AT THE HISTORIC GREEN-WOOD CEMETERY In Brooklyn, NY, JUNE 2018, which was awarded WQXR’s coveted ‘Freddie’ for ‘Best New Opera,’ ‘costume,’ and ‘opera production.’
past highlights include performing HANDEL’S "ARIODANTE" FOR OPERA OMAHA'S ONE FESTIVAL AT THE BEMIS CENTER FOR CONTEMPORARY ARTS WITH THE INTERNATIONAL CONTEMPORARY ENSEMBLE. THIS PRESENTATION CONTINUEd SCHLATHER’S EXPLORATIONS OF HANDEL’S OPERAS BASED ON LUDOVICO ARIOSTO’S ‘ORLANDO FURIOSO’ with conductor geoffrey mcdonald. It was PRECEDED BY AN ARTIST RESIDENCY AT NATIONAL SAWDUST (2016), AND PERFORMANCES OF "ALCINA" (2014) AND "ORLANDO" (2015) IN THE MAIN GALLERY OF WHITEBOX ART CENTER IN CHINATOWN, NYC. NAMED ONE OF THE 'TOP 10 PIVOTAL MOMENTS FOR OPERA AND CLASSICAL PERFORMANCE 2015' (WQXR), THESE unprecedented INNOVATIONS IN PUBLIC ACCESS TO OPERA PRODUCTION through installation in an art gallery GAINED DISTINGUISHED ATTENTION IN THE NEW YORK TIMES, CALLED BY ART CRITIC HOLLAND COTTER A “FASCINATING SPECIES OF PERFORMANCE ART” AND CLASSICAL MUSIC EDITOR ZACHARY WOOLFE “A GIFT GIVEN TO THE NEW YORK CULTURAL SCENE.”
additional productions INCLUDE A CRITICALLY ACCLAIMED NEW PRODUCTION OF 'DOCTOR ATOMIC' FOR CURTIS OPERA THEATER, PHILIP GLASS' "MADRIGAL OPERA" DEVELOPED WITH CHORAL CHAMELEON AND JOHNNY GANDELSMAN AT NATIONAL SAWDUST, A DOUBLE BILL OF "BASTIANELLO" AND "THE JUNIPER TREE" AT WOLF TRAP OPERA, "TURANDOT" FOR THE BARD MUSIC FESTIVAL AT THE RICHARD B. FISHER CENTER, "IN THE PENAL COLONY" FOR BOSTON LYRIC OPERA'S ANNEX SERIES AT THE CYCLORAMA AT BOSTON CENTER FOR THE ARTS, AND PERFORMANCES OF DAVID LANG'S "LITTLE MATCH GIRL PASSION" CONCEIVED WITH MIAMI-BASED ILLUMINARTS AT THE PEREZ ART MUSEUM MIAMI (2016) AND THE SCHOOL | JACK SHAINMAN GALLERY (2016).
SCHLATHER HAS PROFESSIONAL AFFILIATIONS AS A STAGE DIRECTOR WITH THE SANTA FE OPERA, LOS ANGELES PHILHARMONIC, OPERA PHILADELPHIA, NATIONAL SAWDUST, CURTIS INSTITUTE OF MUSIC, International Contemporary ensemble, brooklyn youth chorus, BARD MUSIC FESTIVAL AT THE RICHARD B. FISHER CENTER, WOLF TRAP OPERA, BOSTON LYRIC OPERA, OPERA OMAHA, SYRACUSE OPERA, GRAN TEATRE DEL LICEU, ENGLISH NATIONAL OPERA, CANADIAN OPERA COMPANY, TANGLEWOOD MUSIC FESTIVAL, NEW YORK CITY OPERA, GLIMMERGLASS OPERA, And (LE) POISSON ROUGE.
mr. schlather has participated in CONFERENCES AT PRINCETON UNIVERSITY AND THE BANFF CENTRE FOR ARTS AND CREATIVITY, TAUGHT AT THE CURTIS INSTITUTE OF MUSIC, BRANDEIS UNIVERSITY, AND ITHACA COLLEGE (WHERE HE IS AN ALUMNUS OF THE SCHOOL OF HUMANITIES AND SCIENCES WITH A B. A. IN ART HISTORY), AND WAS AN ARTIST-IN-RESIDENCE AT NATIONAL SAWDUST FOR THE 2016/17 SEASON. HE HAS PERFORMED AT THE GUGGENHEIM MUSEUM AND THE KITCHEN IN GERARD AND KELLEY’S ‘TIMELINING.’ HIS SOLO PERFORMANCE ‘DON’T CALL ME CRUEL, BABY,’ (2015) WAS PERFORMED AT CATCH! AND PRELUDE NYC.
MR. SCHLATHER IS A MEMBER OF A.G.M.A. AND is REPRESENTED BY COLUMBIA ARTISTS.